Vlog, Videoblog: Harald Falckenberg : Art Collector : Phoenix Art

January 30th, 2007

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Interview with Harald Falckenberg (Quicktime-Video)

The private collector

Collecting is a passion or according to Freud a compensational act – to be traced back to the detachment of a child from ist mother. And when the time of cuddly toys is over the grown up child can collect stamps or in the best case art. A private person collecting art, for which reason ever, has a big advantage over an institutional collector. The private collector can follow his intuition, trust his gut feeling. He doesn´t owe an explanation even if he decides to purchase subversive art: obscene, pornographic, violent – mind you - in an artistic context.

The collections of private art lovers are often more thrilling and versatile than the collections of some bank corporations or companies which certainly would not have discovered Jonathan Meese. Although courageous buyers are not always able to estimate quality, they are an extraordinary important part of the artmarket.

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Keith Haring. Untitled (Nuclear Sex Series). 1981.

Harald Falckenberg, lawyer and private collector, lives in Hamburg. In his 6000 sqm exhibition space and warehouse there are genuine treasures of modern and postmodern art. Joseph Beuys, Keith Haring, Gerhard Richter, Nam June Paik, Martin Kippenberger, Jonathan Meese are just a selection of the artists whose art works are owned by Falckenberg. At 50 he started to collect and he is certainly not going to stop it anymore.

The infantil artist
For an artist it is certainly indispensable to preserve an infantil element. Harald Falckenberg considers this feature most important for an artist. The childlike openness and impartiality enables an artist to perceive the world and the society clearer than a „normal“ person. Often artists have the ability to see social currents and political tendencies earlier and to pervade the time in which they live more deeply. They free themselves from all too strict rules and norms and create freedoms that make other perceptions possible. The target of this way of living is a closer approach to truth. But it is not enough to be infantil to understand the world as it is. Sometimes in the life of an artist he has to overcome the purely infantil without entirely losing it. The greatest artists in history such as Michelangelo, Rodin or Bach and Goethe can hardly be described as infantil. Haven´t these or other arists beside their childlike elements obtain maturity or even wisdom in the course of the years?

Search of truth
In our interview Falckenberg says for him art was not the beautiful, the true, the good but art was a journey; that he undertook an adventure, something to get involved in and to dispute about. The search of truth doesn´t play an important role for him. Is the higher purpose source of irritation? It seems for Falckenberg it is. His way of approaching art is wounderfully reflected in his collection. Wild video installations are set up beside monstrous machines. In some rooms it is loud and dazzling and colourful and in others it is almost dark. In fact the visit of the collection requires a knowledgeable guide in order to understand what is seen. This is certainly only one way to engage in and evaluate art but undoubtedly a thrilling one.

Interview with Harald Falckenberg (Quicktime-Video)

Daniela Krien

Translation by Katja Kirsche.

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Gerhard Richter. Fiktion/Fiction. 1976.

Artists of the Collection Falckenberg:

Donald Baechler, Joseph Beuys, John Chamerberlain, William Copley, Mark Dion, Fischli/Weiss, Dan Flavin, Gilbert & George, Christian Hahn, Keitz Haring, Georg Herold, Mike Kelley, Peter Kogler, Paul McCarthy, Albert Oehlen, Nam June Paik, Juan Miguel Pozo, Robert Rauschenberg, Thomas Rieck, Kay Rosen, Reiner Ruthenbeck, Andreas Slominski, Thaddeus Strode, Rosemarie Trockel, Petrus Wandrey, John Wesley, Franz West, Lutz Winkler, Bill Beckley, Werner Büttner, Christo, Stephen Craig, Bogomir Ecker, Barry Flanagan, Günther Förg, Thomas Grünfeld, Richard Hamilton, Klaus Hartmann, Tadashi Kawamata, Martin Kippenberger, Robert Longo, Jahon McCracken, Johnathan Meese, C.O. Paeffgen, Sigmar Polke, Richard Prince, Gerhard Richter, Rolf Rose, Dieter Roth, Kenny Scharf, Frank Stella, Nicola Torke, Richard Tuttle, Andy Warhol, Tom Wesselmann, Emmett Williams, Johannes Wohnseifer.


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3 comments on “Vlog, Videoblog: Harald Falckenberg : Art Collector : Phoenix Art”

  1. 01

    Liebe Freunde,
    Bravo für das Intervieuw mit Harald Falckenberg ! mein guter lieber freund. Nach dieser schöne begabte rede, kann ich Ihm nur ein grosser Küss geben ! Ich liebe Ihn, er ist grossartig ! Lässt Ihm nochmals reden, es ist wichtig, mehrmals !
    Freundlichst, grüsse
    Peter Johansen
    Hamburg/Kopenhagen

    Peter A. Johansen at March 10th, 2008 around 4:20 pm
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  2. 02

    I do agree with the earlier comment about Falckenberg’s presence and enlightened state of mind; but what would be more natural seen his profession? One understands from his reasoning that he enjoys riding the magical mystery tour. The art that is seen in the video produces on the uninitiated onlooker somewhat the effect that a mechanical loom factory or a lead letter printing house must have had on the novice during the last century. It’s indeed childish play with mains powered gadgets; a wired set of content in desperate need of explanations.

    Clearly Mr Falckenberg ‘art’ collecting passion is to range into Ms Karasek’s category of collectors interested in seeing the world through the eyes of the other; the more eccentric the better. The sheer complication of works of ‘art’ demanding 600 m2 to be maintained is a feat in itself.

    Michael de Bruges at August 18th, 2008 around 11:39 pm
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  3. 03

    […] Art Cologne, que entrega la Asociación Federal de Galerias Alemanas, distingue al hamburgués Harald Falckenberg como mejor y más importante  coleccionista del año. La feria estrena este año un programa […]

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